<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[The Philippine  Post - Australia: The Filipinotastic]]></title><description><![CDATA[A documentary podcast series about Filipino issue around the globe]]></description><link>https://www.parasafilipino.com/s/the-filipinotastic</link><image><url>https://substackcdn.com/image/fetch/$s_!-2tx!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa852946d-fd8d-46d3-a7ca-c24bfc41a2df_600x600.png</url><title>The Philippine  Post - Australia: The Filipinotastic</title><link>https://www.parasafilipino.com/s/the-filipinotastic</link></image><generator>Substack</generator><lastBuildDate>Wed, 08 Apr 2026 03:19:16 GMT</lastBuildDate><atom:link href="https://www.parasafilipino.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Kangaroofern Media Lab Pty Ltd]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[styleoflife@kangaroofern.au]]></webMaster><itunes:owner><itunes:email><![CDATA[styleoflife@kangaroofern.au]]></itunes:email><itunes:name><![CDATA[Miko Santos]]></itunes:name></itunes:owner><itunes:author><![CDATA[Miko Santos]]></itunes:author><googleplay:owner><![CDATA[styleoflife@kangaroofern.au]]></googleplay:owner><googleplay:email><![CDATA[styleoflife@kangaroofern.au]]></googleplay:email><googleplay:author><![CDATA[Miko Santos]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Music as Home: How Eraserheads Unites Filipino-Australians Across Borders]]></title><description><![CDATA[Episode Summary]]></description><link>https://www.parasafilipino.com/p/music-as-home-how-eraserheads-unites</link><guid isPermaLink="false">https://www.parasafilipino.com/p/music-as-home-how-eraserheads-unites</guid><dc:creator><![CDATA[Miko Santos]]></dc:creator><pubDate>Sun, 13 Apr 2025 06:28:59 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/161217458/df89fd99db74a99a9eefdf20d6d15dfe.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<h2>Episode Summary</h2><p>This podcast follows host Miko Santos and his wife as they travel from Adelaide to Perth to attend an Eraserheads concert, a beloved Filipino band. The documentary explores how music helps Filipino immigrants maintain connections to their homeland while building new communities abroad. Through interviews with fans, musicians, and academics, the podcast reveals how songs can transport people emotionally across time and space, creating a sense of "home" regardless of physical location. The story captures how music transcends language barriers, connects generations, and helps immigrants navigate dual cultural identities.</p><h2>Five Key Takeaways</h2><ol><li><p>Filipino expatriates traveled from across Australia (Adelaide, Melbourne, Sydney) and even New Zealand to attend the Eraserheads concert in Perth, demonstrating music's power to mobilize diaspora communities.</p></li><li><p>Music experts explain that Eraserheads' appeal comes from their innovative melodic structures, harmonic complexity, and distinctly Filipino imagery and scenarios.</p></li><li><p>The concert created a temporary but powerful community space where strangers became friends through shared cultural experience, what sociologists call a "third space."</p></li><li><p>Both older Filipinos seeking nostalgia and younger generations discovering their cultural heritage found connection through the music, bridging generational divides.</p></li><li><p>The documentary positions music as a "portable Philippines" that immigrants carry with them, accessing memories and cultural identity regardless of geographic location.</p></li></ol><h2>Detailed Synopsis</h2><p>"Music as Home: A Filipino Journey" is a 20-minute audio documentary that follows narrator Miko Santos and his wife as they embark on a journey from Adelaide to Perth to attend an Eraserheads concert. The documentary is structured in eight parts, each exploring different dimensions of how music connects Filipino expatriates to their homeland and to each other.</p><p>The narrative begins with the anticipation at Adelaide Airport, where the couple notices other Filipinos making the same journey, creating an immediate sense of shared purpose. As they travel, Miko interviews his wife about her first memories of Eraserheads music, establishing the theme of music as a form of "time travel."</p><p>In Perth, the documentary expands to include interviews with other concert attendees who have traveled from across Australia and New Zealand. Luigi Costello describes the music as "territory" and "country," suggesting that Eraserheads' songs create a space that feels like home regardless of physical location.</p><p>The documentary then deepens through expert analysis. Dominic Laksamana, a composer and music professor, explains the technical brilliance behind Eraserheads' compositions, noting their "curvy" melodic contours and sophisticated chord progressions. Musician and academic Nicky Anasin discusses how music becomes a "tool for us to experience home away from home," helping Filipino expatriates "renegotiate" their identity.</p><p>The narrative captures the concert experience itself, where the venue transforms into a space where "Perth could be Manila" and "years fold like origami" into a perfect present-tense moment. The documentary highlights how the event creates connections beyond the music, as strangers exchange phone numbers and make plans for future gatherings.</p><p>Throughout the documentary, experts and fans alike compare Eraserheads to The Beatles, though some resist this comparison, asserting the band's unique Filipino identity. The narrative also explores intergenerational connections, featuring a 70-year-old man brought by his grandson and 22-year-old Rosel V. de Guzman, who discovered the band through her parents.</p><p>The documentary concludes with Miko's reflection on the return journey, noting how the music now carries additional meaning &#8211; not just connecting to the Philippines they left, but to the community they've built in Australia. The final message emphasizes how music creates a space where "there" and "here" can exist simultaneously, where past and present dance together, and where strangers become community through shared melody and memory.</p><h2>What You'll Learn</h2><ul><li><p>Readers will gain insight into the powerful role music plays in immigrant communities, specifically how Filipino expatriates in Australia use Eraserheads' music to maintain cultural connections. </p></li><li><p>They'll understand how songs create emotional transportation between countries, serving as cultural touchstones that help people navigate dual identities. </p></li><li><p>The article highlights the formation of community through shared cultural experiences and how music bridges generational gaps. </p></li><li><p>Readers will also learn about Eraserheads' musical complexity and why they're considered so influential in Filipino culture, offering perspective on how immigrant communities transform cultural elements from their homeland into something that serves their needs in a new country.</p><div><hr></div><p></p></li></ul><p>CREDITS : This podcast is written and hosted by me, Miko Santos, Produced by Kangaroofern Media Lab, Australia&#8217;s Independent podcast management company. Research by ivone Santos, Edited and mixed by Jaime Bada, Sound design by Miguel Bada.  Our Podcast producer Renee Bernales. Voice over artist Kiko Malicdem . Music by <strong><a href="https://share.epidemicsound.com/o33ymc">Epidemic Sound</a></strong> and Eraaserheads . Filipinotastic logo by Sid Tabar.</p><p></p>]]></content:encoded></item><item><title><![CDATA[When Australia Says 'Too Old': The Human Cost of Age-Based Immigration Policies"]]></title><description><![CDATA[Episode Summary]]></description><link>https://www.parasafilipino.com/p/when-australia-says-too-old-the-human</link><guid isPermaLink="false">https://www.parasafilipino.com/p/when-australia-says-too-old-the-human</guid><dc:creator><![CDATA[Miko Santos]]></dc:creator><pubDate>Sat, 01 Mar 2025 01:46:03 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/158148008/09f54ac37f16d7a0b81a201c5a2eafa0.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<h2>Episode Summary</h2><p>In this poignant audio documentary, we follow Flor De Lis Juan-Mina, an international student from the Philippines whose plans to build a life in Australia were suddenly derailed by changes to the Temporary Graduate Visa (TGV) policy. </p><p>The new regulations now restrict post-study work rights to those under 35 years old, eliminating opportunities for mature students who invested substantial resources in Australian education. Through intimate conversations with Flor and migration expert Jeroslyn Gliko Kovarskis, we explore the profound human impact of immigration policy changes, the financial and emotional costs of starting over, and how dreams adapt when systems change unexpectedly.</p><h2>Five Key Takeaways</h2><ol><li><p>Australia reduced the age eligibility for Temporary Graduate Visas from 50 to 35 years, affecting thousands of mature international students</p></li><li><p>International students like Flor invest approximately AU$35,000 (US$23,000) annually in tuition&#8212;exceeding the Philippines' annual minimum wage</p></li><li><p>The policy change aims to eliminate "non-genuine students" but creates significant hardship for those who made life-altering commitments</p></li><li><p>Alternative visa pathways exist but often come with reduced work rights or additional financial burdens that make them impractical</p></li><li><p>Immigration systems that categorize people primarily by age fail to recognize the complex realities and valuable contributions of mature students</p></li></ol><h2>Detailed Synopsis</h2><p>"Dreams Interrupted" examines the cascading consequences of Australia's abrupt immigration policy shift that reduced the Temporary Graduate Visa age eligibility from 50 to 35 years. Through the personal narrative of Flor, a Filipino international student, the documentary illuminates how administrative decisions create profound disruptions in individual lives.</p><p>The narrative begins with Flor's initial investment and expectations&#8212;a carefully calculated five-year plan that included two years of study plus additional time under regional area provisions. This timeline represented not merely an educational pursuit but a comprehensive life strategy developed in partnership with her husband, who works full-time to support their shared aspirations. When Australia announced the age restriction, this meticulously constructed future evaporated, replaced by uncertainty and the painful sentiment that "Australia doesn't want us anymore."</p><p>Migration expert Jeroslyn Gliko Kovarskis provides critical context, explaining that the policy aims to eliminate those perceived as exploiting the education system purely for immigration advantages. However, this administrative rationalization fails to acknowledge the substantial financial commitments these students make&#8212;with annual tuition costs of AU$35,000 exceeding the annual minimum wage in countries like the Philippines.</p><p>The documentary explores the complex realities of international student life that regulatory frameworks often overlook. For Flor, academic challenges proved less daunting than the practical demands of simultaneously working and studying while managing significant financial pressures. Her husband's full-time employment supporting her education underscores the collective family investment in what was perceived as a secure pathway to residency.</p><p>With their Australian dreams derailed, Flor contemplates alternatives including relocating to New Zealand&#8212;a prospect requiring them to restart the immigration process, incur additional expenses, and rebuild networks. Alternative visa options within Australia, such as the 407 training visa, present significant drawbacks including reduced working hours that would further strain their already precarious financial situation.</p><p>The documentary concludes by examining how individuals reconstruct their ambitions when systems fail them. It suggests that the fundamental question shifts from "How do I stay in Australia?" to "Where will my journey take me next?"&#8212;highlighting the resilience and adaptability that emerge when regulatory frameworks disrupt personal aspirations.</p><h2>What You'll Learn</h2><ul><li><p>How age-based immigration restrictions impact international students' educational and career trajectories</p></li><li><p>The significant financial investment international students make in pursuing Australian education</p></li><li><p>Alternative pathways available when visa options change unexpectedly</p></li><li><p>How migration experts navigate complex immigration system changes</p></li><li><p>The psychological and emotional challenges of recalibrating life plans due to policy changes</p></li><li><p>The disconnect between immigration systems that categorize by age and the valuable contributions of mature students</p></li><li><p>Strategies for resilience when external factors force significant life pivots</p><div><hr></div><p></p></li></ul><p>CREDITS : This podcast is written and hosted by me, Miko Santos, Produced by Kangaroofern Media Lab, Australia&#8217;s Independent podcast management company. Research by ivone Santos, Edited and mixed by Jaime Bada, Sound design by Miguel Bada.  Our Podcast producer Renee Bernales. Voice over artist Kiko Malicdem . Music by <strong><a href="https://share.epidemicsound.com/o33ymc">Epidemic Sound</a></strong>. Filipinotastic logo by Sid Tabar.</p><p></p>]]></content:encoded></item><item><title><![CDATA[From the Archives: Filipino Media an effective tools in cultural engagement]]></title><description><![CDATA[In this episode, we look into the role of Filipino Media outlets in Australia to help introduce Filipino Culture to foreign-born Filipino.]]></description><link>https://www.parasafilipino.com/p/from-the-archives-filipino-media</link><guid isPermaLink="false">https://www.parasafilipino.com/p/from-the-archives-filipino-media</guid><dc:creator><![CDATA[Miko Santos]]></dc:creator><pubDate>Mon, 06 Jan 2025 22:33:38 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154190035/1956ec8392e53031cd80372134de9730.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>In this episode, we look into the role of Filipino Media outlets in Australia to help introduce Filipino Culture to foreign-born Filipino. With the help of our guest Money Magazine Editor in Chief Michelle Baltazar and members of Radyo Filipino Adelaide which explained to us the important of this communication platforms.</p><p>Thank you to our guest Michelle Baltazar, Juan Paulo Legaspi. Adel Lopez, Rose holland. Lourdes blinko and celia Guillermo</p><div><hr></div><p>CREDITS : This podcast is written and hosted by me, Miko Santos, Produced by Kangaroofern Media Lab, Australi&#8217;s Independent podcast management company. Research by ivone Santos, Edited and mixed by Jaime Bada, Sound design by Ivan Santos, our Podcast producer Jaymie Lopez, Assistance Podcast producer Renee Bernales. Voice over artist Kiko Malicdem . Music by audiohero.com . Filipinotastic logo by Sid Tabar.</p><p></p>]]></content:encoded></item><item><title><![CDATA[Why is Filipino food Unique ?]]></title><description><![CDATA[On the first episode of Season 2, we talk to some of the best Filipino chefs in Australia about what makes Filipino food truly unique and why it continues to appeal to both local and international food lovers.]]></description><link>https://www.parasafilipino.com/p/why-is-filipino-food-unique</link><guid isPermaLink="false">https://www.parasafilipino.com/p/why-is-filipino-food-unique</guid><dc:creator><![CDATA[Miko Santos]]></dc:creator><pubDate>Sun, 05 Jan 2025 23:14:44 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154189935/6a268f55a9a06842976c72004c978244.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>On the first episode of Season 2, we talk to some of the best Filipino chefs in Australia about what makes Filipino food truly unique and why it continues to appeal to both local and international food lovers. </p><p>From the well-known adobo, which is made with soy sauce, vinegar, garlic, and peppercorns, to the hearty and spicy bicol express, which uses chillies, pork belly, and coconut milk to bring out the flavour of the chillies. Through interesting conversations, our guests taught us about the different ingredients, cooking methods, and regional specialities that make Filipino food so unique. Whether you're a Filipino who wants a taste of home or a food lover who wants to try new things, you'll find what you're looking for here. </p><p>Special Thanks to : </p><p>&#9658;First Sec. Philippines Embasst Canberra Ms. Corina Reyes </p><p>&#9658;Australia Philippines Business Council for A taste of the Philippines video series. &#9658; Ms. Anna Manlulo , Founder Filipino Food Movement Australia </p><p>&#9658;Chef Nina Cruz of Sizzling Fillo </p><p>&#9658;Chef Fhred Batalona of Brgy Pop UP resto </p><p>&#9658;Chef Antonion Lim of Soul Fusion House </p><p>&#9658;Chef Yasmin Newman and the Team </p><p>&#9658; Filipino Food Movement Australia </p><p>&#9658; Fecs Ladao of Fexi Buns </p><p>&#9658; Chef Cherissq FIlamor of Manila Restaurant</p><div><hr></div><p>CREDITS : This podcast is written and hosted by me, Miko Santos, Produced by Kangaroofern Media Lab, Australi&#8217;s Independent podcast management company. Research by ivone Santos, Edited and mixed by Jaime Bada, Sound design by Ivan Santos, our Podcast producer Jaymie Lopez, Assistance Podcast producer Renee Bernales. Voice over artist Kiko Malicdem . Music by audiohero.com . Filipinotastic logo by Sid Tabar.</p><p></p>]]></content:encoded></item><item><title><![CDATA[Why the Filipino language is important for foreign born Filipino]]></title><description><![CDATA[In this episode of The Filipinotastic, We going to explore why the Filipino language is important to foreign-born Pinoys .]]></description><link>https://www.parasafilipino.com/p/why-the-filipino-language-is-important</link><guid isPermaLink="false">https://www.parasafilipino.com/p/why-the-filipino-language-is-important</guid><dc:creator><![CDATA[Miko Santos]]></dc:creator><pubDate>Fri, 03 Jan 2025 12:19:39 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154072000/07b46e7c6c823afd83b10297ba07ca24.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>In this episode of The Filipinotastic, We going to explore why the Filipino language is important to foreign-born Pinoys . </p><p>According to early childhood studies, many immigrants are gradually losing their native language as they get linguistically absorbed into English-speaking society. However, maintaining your original linguistic fluency is important for a variety of personal, social, intellectual, educational, and economic reasons. </p><p>What happens if a child is born in a foreign country and never learns his/her native language? Language is rich in history and culture. Learning the native language entails studying the same history and culture as your parents, relatives, and even prior and following generations. <a href="https://www.youtube.com/hashtag/filipinotastic">#filipinotastic</a> <a href="https://www.youtube.com/hashtag/filipino">#filipino</a> <a href="https://www.youtube.com/hashtag/knagaroofern">#knagaroofern</a> </p><div><hr></div><p>CREDITS : This podcast is written and hosted by me, Miko Santos, Produced by Kangaroofern Media Lab, Australi&#8217;s Independent podcast management company. Research by ivone Santos, Edited and mixed by Jaime Bada, Sound design by Ivan Santos, our Podcast producer Jaymie Lopez, Assistance Podcast producer Renee Bernales. Voice over artist Kiko Malicdem . Music by audiohero.com . Filipinotastic logo by Sid Tabar.</p><p></p>]]></content:encoded></item></channel></rss>